Plausible action is action by a character in a story that seems reasonable, given the motivations presented. Motivated action by the characters occurs when the reader or audience is offered reasons for how the characters behave, what they say, and the decisions they make. Characters can be convincing whether they are presented by showing or by telling, as long as their actions are motivated. A simple character who demonstrates few traits. A complicated character who has many sides and emotions. A character who does not change significantly. In telling, the author intervenes to describe and sometimes evaluate the character for the reader. A character who antagonizes the other characters.he/she is not nice at all. Showing allows the author to present a character talking and acting, and lets the reader infer what kind of person the character is. Authors have two major methods of presenting characters: showing and telling. They are more fully developed, and therefore are harder to summarize. Round characters are more complex than flat or stock characters, and often display the inconsistencies and internal conflicts found in most real people. Some flat characters are recognized as stock characters they embody stereotypes such as the "dumb blonde" or the "mean stepfather." They become types rather than individuals. They are not psychologically complex characters and therefore are readily accessible to readers. A flat character embodies one or two qualities, ideas, or traits that can be readily described in a brief summary. A static character does not change throughout the work, and the reader's knowledge of that character does not grow, whereas a dynamic character undergoes some kind of change because of the action in the plot. The antagonist is the character, force, or collection of forces that stands directly opposed to the protagonist and gives rise to the conflict of the story. A hero or heroine, often called the protagonist, is the central character who engages the reader's interest and empathy. In this interview, screenwriter Travis Seppala talks more about how and why these characters are commonly used as plot devices that move a story forward.A character is a person presented in a dramatic or narrative work, and characterization is the process by which a writer makes that character seem real to the reader. Using characters with a flat arc to move the plot along is effective because they do not distract the audience with any character details. This is common in film genres that are more plot-driven than character driven films or a character study. The first reason to use this character type is to simply move the plot along. Otherwise, the character will be uninteresting and unnecessary. The important thing is to know their purpose before you write them in. There are several reasons to use these characters in a story. Flat characters in movies What is a flat character used for? There are many examples of iconic characters that can be defined as flay and actually are great for specific purposes. What is a flat character used for then? Well, despite what it may seem, they are not always uninteresting or not useful. You might be thinking that a round character in all aspects sounds better than their flat counterparts. His entire personality can be summed up as “surfer turtle.” Yet he serves an important purpose in moving the plot forward. A great example of this can be found in the character Crush from one of the best animated movies Finding Nemo.Ĭrush is a flat character example that stems from the surfer stereotype. These stereotypes assign these characters their defining qualities. Stereotypicalįlat characters usually stem from some type of stereotype or character archetype. Think of Biff from Back to the Future or Deebo from Friday - bullies who serve a very important function for the protagonists' character arcs. The leads to the resolution or conclusion of the play. All of the action in a play that follows the turning point. The moment within a work of literature when the main conflict is resolved. These characters lack complexity in that they have no internal conflict, no complex relationships, and only a few defining qualities.Ī “bully” is a common flat character example that lacks any defining qualities besides being mean and nasty. The highest point of interest or suspense in a story, novel, or play. They are one dimensional and lack any complexity. One-dimensionalįlat characters are exactly that - flat. To better distinguish the criteria of these character and how they work, let’s look at the traits of a flat character in detail. Flat character meaning Traits of a flat character
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